Fotografie Fotokunst Vögel Ein Vogelschwarm vor einem leuchtenden Abendhimmel. Mein Motiv Birds, aufgezogen auf eine 1,6 cm starke MDF-Platte. Maße ca. 12,4 x 12,4 cm Fotografie auf brillantem und langlebigem Fuji Crystal DP II Professional Paper matte, leicht strukturierte Silk-Oberfläche Bohrung auf der Rückseite fertig zum Aufhängen oder Aufstellen Alle im Shop angebotenen Produkte sind individualisierbar, was Format und Material (z.B. Leinwanddruck, Alu-Dibond oder mattes Fotopapier etc.) betrifft. Bei Fragen oder Wünschen wende Dich einfach mit einer Nachricht an mich, wir finden bestimmt eine Lösung.
With a foreword from Chris Packham, this collection of images from the Bird Photographer of the Year competition is set to reflect avian beauty and variety, as well as the increasingly vivid standard of digital imaging in wildlife photography. Published to coincide with the British Bird Fair 2018.
Kruger Self-Drive is the perfect drive guide to the world´s greatest eco-park. It includes suggested routes to take you to every camp in the Kruger National Park, offers a comprehensive guide to all the roads and viewing opportunities in the park, rates every road according to the probability of animal sightings and scenic views, and so much more. It also includes an appendix of the most common animals, birds and plants in the park, with an ilustrated ecozone map. Finaly, it features a large pull-out map. Stunningly illustrated with van den Berg photography.
Giacomo Brunelli has been looking hard at animals. His focus is not on the framed and caged exotica of zoos but on the ordinary animals that remain with us to some extent: horses, dogs, cats, chickens, pigeons. He shows us a fox, looking sharply at the camera and poised to flee, and there are numerous birds, a snake and several toads, but this wildness is small and fragile, living in the familiar liminal space where manmade and natural meet and overlap. His animals inhabit farmyards, cobbled streets and the façades of stone buildings. There are no tigers here. Brunelli´s animals are often composed only of suggestive fragments. His spare black and white images are attuned to the nuances of a moving mane, a silhouetted whisker, a highlighted, almost illuminated wing. He favours the profile and the counterintuitive angle, setting dark unobservable features against dark undiscernable backgrounds. A dead mouse, on its back, paws in air beside an oversized flower against a stark and distant mountain is no more or less frozen in time than is the growling dog, eyes alight and teeth forever bared; both are icons of states we fear but cannot know. These pictures are timeless and uncanny, powerful in their ordinariness, and emotionally much bigger than their simple subjects. - Alison Nordström, Curator of Photography, George Eastman House.